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ENGLISH 汽车上面的波多野结衣But still, in all ages human nature is the same, and has to be reckoned with under all circumstances, and that people in general are much better than the laws which govern them is evident.
In those days, as Mme. Le Brun remarks in one of her letters, people had both time and inclination to amuse themselves, and the love of music was just then so strong and so general that the disputes between the rival schools of Glück and Piccini sometimes even amounted to quarrels. She herself was a Glückist, but the Queen and many others preferred the Italian music to the German.The subterranean passage leading from the empress's rooms to the mosque, has in the roof a thick flagstone that admits a subdued glimmer as through amber or honey, lighting up all one end of the dark corridor.
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DOMELBut what to Mme. Le Brun was of great importance during her stay at Antwerp was a portrait by Rubens, the famous Chapeau de Paille, then in a private collection, where she saw and was fascinated by it. The effect of light and shade caused by the arrangement of the two different lights, the ordinary  light and the sunlight, was what chiefly struck her, and having studied the picture with deep attention she proceeded, on returning to Brussels, to paint her own portrait with the same kind of effect: wearing a straw hat with a wreath of wild flowers, and holding a palette in her hand.
This interminable piece, with twenty changes of scene, dragged its weary length till two in the morning. One by one the soldiers went away; even the baboos soon followed them, and only the coolies remained, enthusiastically applauding every scene, every harangue, in a frenzy of delight, before the final apotheosis of Tazulmulook and Bakaoli, as man and wife, lovingly united against a background of trees with golden boughs.But as dinner-parties then took place in the day-time, often as early as two oclock, Lisette soon found it impossible to spare the time to go to them. What finally decided her to give them up was an absurd contretemps that happened one day when she was going to dine with the Princesse de Rohan-Rochefort. Just as she was dressed in a white satin dress she was wearing for the first time, and ready to get into the carriage, she, like her father in former days, remembered that she wished to look again at a picture she was painting, and going into her studio sat down upon a chair which stood before her easel without noticing that her palette was upon it. The consequences were of course far more disastrous than what had befallen her father; it was impossible to go to the party, and after this she declined as a rule all except evening invitations, of which she had even more than enough.On reaching the temple of Vishnu, on the very threshold, we met an elephant marching in front of the Brahmin priests, who were carrying water in copper amphor? to bathe the idols withal. Musicians followed the elephant, playing on bagpipes, on a kind of little trumpet, very short and shrill-toned, and on drums; and the beast, with its trunk swaying to right and left, begged a gift for the expenses of the temple.
Past a magnificent railway station, and through a manufacturing district of tall furnaces, we came to the quiet country and the Ganges, bordered with gardens, where creepers in flower hang over the muddy stream stained with iridescent grease and soot.One boy, who being very tall looked even more emaciated than the rest, dragged an enormous leg swollen with elephantiasis, which had not diminished with the reduction of the rest of his body.
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